🔗 Share this article Blank Canvas or Tone-Deaf? Pantone's Snowy Colour of the Year Faces Criticism. The title of Colour of the Year goes to Pantone's latest Colour of the Year. For anyone who has spent years living in rental properties, confronted by the same landlord-approved magnolia walls and yearning for adding some actual personality to their home, Pantone's new Colour of the Year might seem like a direct affront. This year, the renowned color company has selected white as its annual hue. More specifically, the shade is called Cloud Dancer – a white touted as "elevated" and "billowy" which "acts as a symbol of calming influence in a society re-learning the worth of quiet reflection". It represents the first time a pure white has been honored as the Colour of the Year, and it has sparked considerable debate. According to Pantone, Cloud Dancer "is not just a colour, it's a state of being" and embodies a shared urge to slow down, recalibrate and find calm after years of visual overload. An all-white interpretation of Pantone's Cloud Dancer – soothing in concept, anxiety-inducing if you consume red wine or coffee. But some detractors have branded the decision as "insensitive", contending that promoting sparse and pristine white spaces can feel distant from the more compact, messier homes most people call home. Some observers propose that positioning white as aspirational carries subtext related to race, creating unease amid current political and cultural conversations about race and representation. Clinical or Calm? Interior expert Chris Beaumont says the criticism goes beyond aesthetics, stating that white holds societal connotations and is rarely a innocuous choice. "The color white sends a message," he says, shaped by a ten-year period of minimalist celebrity interiors – most famously Kim Kardashian's stripped-back home – that came to symbolize "affluence, order and removal from chaos". He elaborates that white is "not about inspiration but being careful not to offend", with Cloud Dancer personifying "austerity, virtuous simplicity and the concept that neutrality denotes goodness". According to Chris Pantone's choice for 2026 is "misguided". Beaumont references the pandemic as a turning point in how people relate to their homes. "Overnight they became our offices, refuges and emotional anchors," he says, noting that in this context, pushing the Colour of the Year towards "further aesthetic barrenness feels rather disconnected". Rather than providing calm, he argues white now risks amplifying "a sense of bleakness", particularly when paired with cool, clinical lighting. 'Sterile Sensations Lara Clark, a Surrey based interior designer, concurs and says Cloud Dancer "doesn't really read as a colour" and is "completely rejected for me". While it may suit highly minimal or structural spaces, she says pure white shades seldom foster calm in everyday living spaces. "An image of tranquility in a professional photo can readily seem clinical at home," she clarifies. "White can feel harsh and demanding and you wouldn't wish your home to emit clinical feelings." According to Lara using white in real homes can create a sterile feeling. She continues that "homes should elicit happiness and feel inviting and welcoming, and this shade seems quite distant from that." Beaumont expresses a desire that homeowners will reject the Pantone Colour of the Year in favour of "unabashed joyful interior design", using colour to showcase personality. The vice president of the Pantone Colour Institute commented that people "bring different feelings" to the significance of the colour, but it was selected as it "integrates perfectly with everything around it, offering a sophisticated impartiality that feels deliberate and versatile". Beginning in 2000, Pantone's Colour of the Year has evolved into a significant industry signal. Past choices have featured the hopefulness of Living Coral, the calm confidence of Classic Blue, the vibrancy of a bold pink-red, and more recently softer, emotionally driven tones like Peach Fuzz. These colours don't just live on style predictions - they show up in fashion collections, cosmetic products, interiors, product wrapping and even technology, influencing how products are marketed and how consumers envision the year ahead. Beauty products previously released a line based on Pantone's 2015 Colour of the Year - a rich red-brown. A style and trend expert, says Cloud Dancer is a "beautiful choice" and while it may appear simple, "this particular shade feels soft and refined rather than severe". Contrary to those who say the colour is boring, the expert sees it as "flexible" and says it's best used in "sleeping quarters and living areas where you want a peaceful, calming atmosphere". "Even if you don't want to redecorate, you can introduce the colour into a room with pillows, blankets and curtains." Pantone's Colour of the Year for 2025 was a soft brown which "promotes a authentic and organic philosophy to luxury". Interior designer James Mellan-Matulewicz says although he was taken aback that Pantone's pick this year was "essentially the lack of pigment", it is a bit like vanilla ice cream, in that "everyone likes it but it's not a top choice". He can see its merits, noting that white can work particularly well as a backdrop for architectural details like panelling and arched doorways which is a "rising style in modern homes". In apparel, white has long been a basic rather than a statement and as a Colour of the Year it presents a unique test to designers more accustomed to vibrant colors. Luxury stylist A styling expert says championing white feels "not focused on newness and more concerned with purpose", reflecting a movement towards refinement after years of trend overloads. According to Oriona white is a difficult colour to wear successfully in fashion. "The color white compels designers and wearers alike to focus on shape, proportion and craftsmanship, there's really no room for error," she clarifies. But she adds that it also carries assumptions around self-image, lifestyle and advantage, saying: "If white is treated as something only a limited subset of people can wear well, it becomes divisive." She says the industry is already aware of the problematic connotations associated with lauding white as an aspirational standard, especially during ongoing conversations about inclusion and approachability, and the true challenge will be whether "companies engage with that complexity honestly, or simply aestheticise the colour". A Cultural Mood, Not a Trend Stylist Katie Malik concedes the choice initially surprised her, considering Pantone's track record of vibrant hues, but says it mirrors a genuine shift and fits within a wider mood of "quiet luxury